Install a line between two buildings. Do something until we meet, until it has been consumed.
Containing two parts. The first part is the glass grass. There is two glass grass sitting separately in two buildings. Each of them is placed in front of a window. The two windows are opposite each other. The second part is the string and people. The string is connecting the two windows; I am on the other side of the window, and the rest of the crit group is on this side of the building. Me on the other side of the building, waving my hands to the rest of the people who see me./who finds me. “I see you.”
About isolation, connection and foreignness, and a state of mind that you can't fit in.
The original inspiration came on the way to New York. The balcony and the glittering city are in the distance as you take the subway. It made me feel how different the sights from afar were from when I was in the city of New York. The vistas are always romantic, giving a rambling, lovely feeling. As you slowly go deeper into the city and all things come to you, the original vision can never be restored. When the foreground connects to distance, cities look so incomparable and irretrievable. As soon as we begin to find our way into the city. The landscape vanishes just like the facade of a building as we enter it.
当你走进一栋楼房，你对它感知的方式变成触觉的。这种触觉上对空间的感知，是缓慢的，通过适应和消遣欣赏的方式被完成。这种感知建筑的方式让我忘记他的全貌或者以远景/整体存在的样子。人与建筑scale上的变化，当我在房间里往往无法想象自己对于建筑的关系，在房间我们通过触觉或空间里的运动感知，在房间外通过视觉的测量感知。 关于map:不仅是帮助每一个人找到 site的具体位置，还帮助我不停的认识 空间，感知建筑与我的scale的变化。
